2018 ® GR gallery

American, 1980. His work is derived from the intersection between art and science, where Shlian uses engineering skills and the aid of scientists at the University of Michigan to create intricate, geometric paper structures. While the process of executing each work is contingent upon precise measurements and a definitive degree of planning, Shlian describes that often, his final products are conceived from flaws that occur as the work is coming together. He engages with paper in a way that imbues movement into a material often associated with two dimensionality; the finished products are kinetic both for their visual dynamics and in the way the folds physically project from the background.

Beginning with an initial fold, a single action causes a transfer of energy to subsequent folds, which ultimately manifest in drawing and three dimensional forms.

2018 ® GR gallery